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The author, Alexandre Dumas, was a man who embodied contradictions: his immediate ancestors included both black Haitian slaves and white French aristocrats, he was a republican man of the people who wrote tales of kings, queens, and knights, and a devout admirer of literary lights like Shakespeare and Molière who innovated a collaborative, almost assembly-line method of writing that churned out industrial quantities of prose. Writing an introduction to Dumas’s great classic is more than a little intimidating for this editor, but it’s worthwhile to consider where this book comes from, and why it’s still relevant and still resonates with readers in the twenty-first century. It’s been a pleasure and a privilege to prepare a new, present-day English translation of this novel, not least because it’s a work that has always meant a lot to me personally. The Three Musketeers is one of the best-loved novels of the nineteenth century, still read and admired over a century and a half since its first publication. Notes on the Text of The Three Musketeers LIX What Happened at Portsmouth on 23 August 1628 L A Conversation Between Brother and Sister XXXVIII How Athos, Without Inconveniencing Himself, Acquired His Equipment XXXIV Concerning the Equipment of Aramis and Porthos XVI In Which Séguier, the Keeper of the Seals, Looks More Than Once for the Bell He Used to Ring
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XII George Villiers, the Duke of Buckingham V The King’s Musketeers and the Cardinal’s Guards
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IV The Shoulder of Athos, the Baldric of Porthos, and the Handkerchief of Aramis II The Antechamber of Monsieur de Tréville I The Three Presents of Monsieur d’Artagnan the Elder